To help make ends meet and help you understand the origins of Christianity better than the Christians themselves would ever let you if they had their way, every season I’ll post three books from my long-standing recommendations list, and review and discuss their value.

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In chapter 10 of On the Historicity of Jesus I survey a large array of literary features of the Gospels, and point out I’m just touching the tip of the iceberg there. When people ask where they can find more of that, I always recommend a slew of great books. The best three in terms of brevity, readability, and impact are Gospel Fictions by Randel Helms and The Power of Parable by John Dominic Crossan, both of which I cited and employed, and now The Dionysian Gospel by Dennis MacDonald—which wasn’t out when I wrote OHJ or I definitely would have included and summarized it there. There are more, highly technical books that cover far more examples and in more academic detail, but I’ll recommend those in a future post.

Why these? They are great introductions that ease you into mimesis criticism from three complementary angles. They are short, fun reads, and marshal the best cases. And once you’ve read all three, you will have a broad understanding of why this approach to the Bible is so powerful and so necessary.

Helms shows you how the Gospels use the Septuagint (the Greek translation of the Hebrew Bible) as source material for constructing stories about Jesus, and how they do that in ways meant to be obvious to a discerning reader, allowing the “enlightened” to understand the message. Jesus is essentially a rewritten Moses or Elijah or Elisha, meant as a “superior” and “modernized” version of them to establish ideals to follow or comprehend. Helms surveys a selection of the best examples, practicing you in what to look for and how we know all this now.

Crossan then goes into how this fits exactly into ancient literary technique generally. The Gospels aren’t doing something weird here. They are doing what ancient authors commonly did, and in fact were all trained to do in schools of the time. The Gospel authors unmistakably achieved the level of compositional Greek, which means they would have been trained in these techniques, and been well familiar with a wide range of pagan and Jewish literature to emulate, riff on, and allude to.

Crossan situates this in the context of ancient literature (with examples outside the Bible, as I did in OHJ), and then surveys examples of how, as his subtitle aptly puts it, fiction by Jesus became fiction about Jesus. In Crossan’s approach, he assumes a real Jesus actually taught the parables that the Gospels then use to create and invent stories about Jesus performing the same service: the tales about Jesus are themselves parables meant to convey meaning, not record history (as Mark subtly suggested we understand). One need not adopt his assumption of historicity, however. We know from Mark’s Use of Paul’s Epistles that stories about Jesus could be built out of the teachings of entirely other people than Jesus, especially Paul, and possibly other Apostles and (as Helms shows) heroes, both Jewish…

…and pagan. Which brings us to MacDonald. Famously correct in finding that the Gospels also used pagan heroes as models to set scenes for Jesus to replicate and upstage them (see, for example, The Homeric Epics and the Gospel of Mark and Luke and Vergil: Imitations of Classical Greek Literature and Does the New Testament Imitate Homer? Four Cases from the Acts of the Apostles), as well as Jewish models (now thoroughly catalogued in his Synopses of Epic, Tragedy, and the Gospels), MacDonald has since turned his eye to the Gospel of John. Finding that early Medieval Christians found that the Gospel of John could be almost entirely retold using lines from the Bacchae of Euripides—essentially a Gospel of the pagan god Bacchus-Dionysus—MacDonald applied modern mimesis theory to find out if there was something to that. And there is.

It has long been the majority mainstream consensus in Johannine studies that our Gospel of John is the second redaction of a lost original (and a lost first redaction of that) and thus has been hacked-up, edited, and reordered, with original material deleted and new material added and some of the rest worked over. The field has already sought to identify which content in that Gospel is from the earliest layer, and MacDonald uses that reconstruction for his mimesis criticism, finding that the “added” material is less inclined to emulate the Bacchae but the original material is peculiarly exactly in line with it. In Dionysian Gospel MacDonald shows how this is evident, example by example. And his case is even more compelling than his original case for Mark emulating Homer, which was already persuasive. Even if some examples are weak, many are strong, and collectively become decisive.

I give many more examples of this process, from other books and journal articles and my own research and evidence, in my study On the Historicity of Jesus. From its bibliography you can track down even more studies shoring this up and covering the rest of the Gospels and their contents (and more examples have come out since, a good selection of which I cite in my coming sequel to OHJ, so stay tuned for that).

But these three books, from Helms, Crossan, and MacDonald are the best place to start.

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